I've been listening to a certain type of music lately. You can sort of see it based on my previous posts, but also if you were to peer into my iPod you'd see a playlist called "Psycho-delia." I'm sure very smart people have put this music into very important categories. I hate categories, so I will just call it, "my current genre."
I have been (and continue to be) especially interested in The Brian Jonestown Massacre, of course. There's a long list of reasons for that. I don't feel like getting into it. Suffice to say that it has to do with being in awe of brilliance, and having a need to tap into the artist in me that doesn't play by someone else's rules, that comes from within rather than giving a flying turd about what others think.
I went back to the High Violets the other day.
And also Imogen Heap
Why? There are some sounds, some musical progressions, or vocals, or lyrics that energize me. Some secret sauce that hits me emotionally and unlock a teeny bit of joy each time I hear the song.
There's a lot of shit going on out there. The world is going down in flames - quite literally if you think about all of the volcanoes and the catastrophic damage in the Gulf of Mexico. War, poverty, death, destruction. I see images of this all the time in the music I've listened to lately (ironic since I initially got into it for the peace-love-understanding aspect). Add to that the really painful shit going on in my own life, and there's a spiral I can very easily fall into.
But in the end, I'm an optimist. In the end, I love people. I love animals, I love the spirits that surround me. I love love and joy and tender-heartedness. I want to see the good around me while I can. Here is just a short little vid that sums up where I'm coming from today:
And finally a completely dorky video that just makes me happy.
So hey, go ahead and be fascinated by the images of death, the super-cool drawings of skulls with snakes coming out of the eyes 'n shit. It has its own beauty, but I need a break from it. I guess I'm just not "cool" like all you kids.
This little blog is just a place where I make note of songs that run through my head and videos that strike me as cool. No earworms will be included here. You won't find "Afternoon Delight" or "Be Happy" listed here. Probably not, anyway.
Sunday, May 30, 2010
Saturday, May 29, 2010
In my head today - June Beach Music and BJM
There are two things I am looking forward to in June. The first is seeing the Brian Jonestown Massacre on June 17. Here's a little taste of what I look forward to:
The other thing I'm looking forward to is the family trip to Hawaii. Yes, it is totally selfish to go to Hawaii when there are so many other things going on. I consider this a little bit of a recharge/pre-charge for the big changes I'm facing in my life. The beach - Hawaii in particular - has always had a magical effect on me. The sultry salty air combined with the soothing sound of the waves and the un-earthly color of the water... it is enough to lull my fears and concerns into submission. In fact, it has a hypnotic effect on me. Nice.
The first time I knew this I was listening to this song while walking on a deserted beach in Mexico:
I recently fount this song by a group I've only barely heard of. I think this is my beach sound for this trip:
The other thing I'm looking forward to is the family trip to Hawaii. Yes, it is totally selfish to go to Hawaii when there are so many other things going on. I consider this a little bit of a recharge/pre-charge for the big changes I'm facing in my life. The beach - Hawaii in particular - has always had a magical effect on me. The sultry salty air combined with the soothing sound of the waves and the un-earthly color of the water... it is enough to lull my fears and concerns into submission. In fact, it has a hypnotic effect on me. Nice.
The first time I knew this I was listening to this song while walking on a deserted beach in Mexico:
I recently fount this song by a group I've only barely heard of. I think this is my beach sound for this trip:
Sunday, May 2, 2010
In my head today: Iggy Pop, and Anton Newcombe on a Rooftop
I was never really into punk. I lived in a small town with one (crappy) record store and one radio station.... and eventually MTV. That was my musical buffet. So I didn't get a lot of Iggy Pop, except through my one actually cool friend who had some musical taste and brought records back from the city once in a while.
Truth is, I think appreciating Iggy Pop takes a lot more emotional sophistication than I probably had at the time anyway.
This vid is in my head for a sort of tangential reason. The song is awesome, but the performer..... the description on YouTube is that it's an "incendiary" performance. I don't think that quite captures it - is there something beyond incendiary? This is a man that fully commits - body, soul, and psyche - to the music. He lets the music channel through him. If you hate the song, at least do this - skip forward to about 3:55, and watch until about 5:00.
Intensity, commitment. Something greater is happening between the performer, the song, the band, and the audience.
This is what any real artist wants, isn't it? I don't know if I'm a GOOD artist by any stretch of the imagination. Though I am apparently (by some accounts) PFG (pretty fucking good), I know that I am not a genius. Whether I am PFG or not, I can tell you that Iggy Pop captures the way I feel when I step on stage. Iggy Pop from 5:00 on is Lady Macbeth. It takes some way of emptying yourself out for a period of time and letting someone or something else in.
Speaking of which.... this next vid is an apparently infamous interview with Anton Newcombe. If you don't know who he is.... well for God's sake look up The Brian Jonestown Massacre. Or look at two or three of my previous posts. Right now BJM is opening something up in me that I can't quite explain, but I think it is good.
People say a lot about this interview, and usually in any description of any interview someone has to spout off with some version of "he's crazy" - it happens especially often when people talk about this one. I think that is just a bunch of shallow-minded horseshit. I don't know the guy except through music and the occasional interview I read so really what the fuck do I know? But think for a moment about art, about artists, about being a vessel for the creative spirit.
If Anton is "crazy" then I want some too. He's not crazy, he's just got the balls enough to talk about what it feels like to have artistic vision and enough courage to BE the art.
So today, I want to be Iggy Pop, and I want to experience the artistic vision/genius of Anton Newcombe.
I aspire to so little, right?
Saturday, April 17, 2010
In my head today - a different direction
It just happens that I came upon this video shortly before I started rehearsals for the new show. So instead of whining about some problem or being saddened by the words to some song, I thought I'd just share the joy that is Brian Atene. I don't know him, but I love him anyway.
The start of a new show is always both exciting and terrifying. This one is particularly nerve-wracking and exciting as it is a new company and a difficult role. It is also a show I probably should not be doing, simply because of my life. But that is another story. I consider this the last time I'll do any acting for a while. I don't mean that in the "all actors say that" way - I mean very specifically that it is unlikely I'll be able to fit a show into the demands of taking care of my mother.
So, let's hope it is a good one, then! If all else fails perhaps I'll break out a little Outsiders monologue. Pony Boy is always popular with the local audiences....
Hey, worked for Brian Atene. Bravo, sir, bravo!!
Tuesday, April 13, 2010
In my head today: Gravenhurst - Black Holes in the Sand
It's interesting to think about what it is that "gets" me in a song. There are a variety of things that can do it. Sometimes it's a great "hook," sometimes there's something haunting in a melody, sometimes it is a combination. In this particular case, it is two things. First, the visual in the video takes me someplace lovely. It eerily matches my Channel, you'll notice.
But before I saw this video, what got me was a single line:
"In the small hours, I realize what I have done"
I spend a lot of time thinking about those things in the "small hours" - I can be nodding off the entire evening, barely able to get my clothes off and get into bed. But as soon as the light goes out and the quiet time sets in.... little voices begin whispering to me. Lists start forming in my head, images of things done and undone pass by. Some float easily away and move the next image into my head. Other times they sit. The image plants itself, and then it slowly morphs from one image to the other, each one more distressing than the last.
When I am lucky, these images are of simple things. Why did I forget to call the mechanic becomes an image of me on the side of the road w/ my car broken down. the image of an impending meeting turns into me sitting at my desk with no way to finish my projects. Items for the grocery list float by. Mundane things. Those are the easy ones.
Others are much more painful. The larger things. The damage that once done cannot be undone. The damage of what has been left undone too long. Most nights, I see my mother sitting alone in her house, quiet and frightened - not moving much, not really doing anything but staring, and crying. Crying from fear, crying from a feeling of utter abandonment, wondering why there is no one there to care for her. Often I will hear my father's voice, wondering why I have to work so much, why he never gets to see me. Standing at his grave wondering how I missed so much of his last years - the only years we really had together. Just a reminder about priorities, and lessons I should have learned by now.
In the small hours, I realize what I have done.
Or not done.
Sunday, April 11, 2010
In my head today - Veruca Salt
Veruca Salt. God, what a moment when I discovered them! Like finding myself. You want to know who I am? Listen to the following songs:
Seether:
Volcano Girls:
How many years did I spend being the girl with the temper? No,I mean REALLY a temper. Nothing like living up to the stereotype of the angry redhead. And then once I was "sane", how many years have I tried to drag the Seether back into its hole, kicking and screaming and fighting and hitting things? No, I'm not angry anymore. No, life's good and I'm calm, I'm a f*#%ing optimist, okay?
No really, life is good.
Seether:
Volcano Girls:
How many years did I spend being the girl with the temper? No,I mean REALLY a temper. Nothing like living up to the stereotype of the angry redhead. And then once I was "sane", how many years have I tried to drag the Seether back into its hole, kicking and screaming and fighting and hitting things? No, I'm not angry anymore. No, life's good and I'm calm, I'm a f*#%ing optimist, okay?
No really, life is good.
Monday, April 5, 2010
In my head today: Storm Large - Great Day
Being from Portland, we actually have a wealth of talent. Folks talk about Everclear and of course the Dandy Warhols. But my favorite is Storm Large. There is not a better role model for women than Storm. She has risen from the ashes of a pretty shitty life and allowed herself to be who she is. And who she is is a POWERFUL force. Obviously beautiful physically, but - more importantly, IMHO - beautiful of soul as well. Her talent is mind-boggling, and thoroughly unique. I can't tell you, "oh she's like...." because truly there is no one like her! Watch this sample. Let me know if you agree.
There are many many videos available. I have chosen "Great Day" because it just makes me so damned happy everytime I hear it. It is.... driven. There is an underlying intensity, like she is willing the day to be great, through the shit, simply through her own power. Sometimes the day just needs a little nudge, you know? The storyline is just hysterical. I even modeled one of my audition monologues after the final character in the song.
Also, awesome bass line.
There are many many videos available. I have chosen "Great Day" because it just makes me so damned happy everytime I hear it. It is.... driven. There is an underlying intensity, like she is willing the day to be great, through the shit, simply through her own power. Sometimes the day just needs a little nudge, you know? The storyline is just hysterical. I even modeled one of my audition monologues after the final character in the song.
Also, awesome bass line.
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